ArchivesSpace at the University of Iowa

Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.

The offset prints are tipped-in color reproductions of Ferrari's paintings. The remaining pages depict drawings and sketches of ideas. -- Source of annotation: Marvin or Ruth Sackner.

Most of the poems, one to each page, incorporate the number, '0'. -- Source of annotation: Marvin or Ruth Sackner.

Most of the poems, one to each page, incorporate the number, '0'. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Giovanni Fontana. This exhibition began in Brescia, Italy. The Gnazzo poem reproduced on one of the cards was depicted in the exhibition catalogue, "Spazi di-versi; segni e parole di poeti." -- Source of annotation: Marvin or Ruth Sackner.

Consists of a small drawing (u.l.) mapping "il luogo dell'espeimento," an empty graph (l.l.), and 4 circles tracing mente, logica and mito (r.). -- Source of annotation: Marvin or Ruth Sackner.

This print shows structure of a series of organic chemistry benzine rings. It was exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

The diagram depicts the poets who collaborated with Segay on visual poems. -- Source of annotation: Marvin or Ruth Sackner.

The prints provide instructions including line drawings of the body postures for Yoga patterns of breathing. They also appeared in the periodical, Anti-Utopia No.4, 1990, a publication held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a red cover. In addition, the unnumbered, red cover edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a gray cover. In addition, this edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

A chair reproduced on the cover has an appearance similar to the chairs made by the Lettrist artist, Alain Satie. The publication also may have been intended as the second issue of Mirror Magnetik Interval. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book first published in 1969 in New York as an edition of 100 and selected as one of the 50 books of the year by The American Institute of Graphic Art. This is an "A" copy published as a first edition for the United Kingdom. -- Source of annotation: Marvin or Ruth Sackner.

Edited by William Xerra. -- Source of annotation: Marvin or Ruth Sackner.